Feb 142009
 

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An honor killing is the murder of a family or clan member by one or more fellow family members, when the murderers (and potentially the wider community) believe the victim to have brought dishonour upon the family, clan, or community, normally by (a) utilizing dress codes unacceptable to certain Islamic people or (b) engaging in certain sexual acts. These killings result from the perception that defense of honour justifies killing a person whose behavior dishonours their clan or family.source.

beheading muslim

Prominent Orchard Park man charged with beheading his wife

Orchard Park police are investigating a particularly gruesome killing, the beheading of a woman, after her husband — an influential member of the local Muslim community — reported her death to police Thursday.

Police identified the victim as Aasiya Z. Hassan, 37. Detectives have charged her husband, Muzzammil Hassan, 44, with second-degree murder.

“He came to the police station at 6:20 p.m. [Thursday] and told us that she was dead,” Orchard Park Police Chief Andrew Benz said late this morning.

Muzzammil Hassan told police that his wife was at his business, Bridges TV, on Thorn Avenue in the village. Officers went to that location and discovered her body.

Muzzammil Hassan is the founder and chief executive officer of Bridges TV, which he launched in 2004, amid hopes that it would help portray Muslims in a more positive light.

The killing apparently occurred some time late Thursday afternoon. Detectives still are looking for the murder weapon.

“Obviously, this is the worst form of domestic violence possible,” Erie County District Attorney Frank A. Sedita III said today.

Authorities say Aasiya Hassan recently had filed for divorce from her husband.

“She had an order of protection that had him out of the home as of Friday the 6th [of February],” Benz said.

Muzzammil Hassan was arraigned before Village Justice Deborah Chimes and sent to the Erie County Holding Center. source.

I guess this wouldn’t help his hope of portraying Muslims in a more positive light?

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What is the fascination that decollation holds for us, as individuals and as a culture? Why does the idea make us laugh and the act make us close our eyes? Losing Our Heads explores in both artistic and cultural contexts the role of the chopped-off head. It asks why the practice of decapitation was once so widespread, why it has diminished—but not, as scenes from contemporary Iraq show, completely disappeared—and why we find it so peculiarly repulsive that we use it as a principal marker to separate ourselves from a more “barbaric”or “primitive” past?

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